Franz Liszt (1811-1886)
Werke sortiert nach Searle (Verzeichnis nach Humphrey Searle, 1966)
A. Original Works
1. Opera
| Searle 1 | Don Sanche, ou Le Château d'Amour | 1824-25 | ![]() ![]() ![]() ![]() |
2. Sacred Choral Works
3. Secular Choral Works
4. Orchestral Works
Symphonic Poems
| Searle 95 | Ce qu'on entend sur la montagne (Bergsymphonie) | 1848-49 | ![]() ![]() ![]() ![]() |
| Searle 96 | Tasso, Lamento e Trionfo | 1849-54 | ![]() ![]() ![]() ![]() |
| Searle 97 | Les Préludes | 1848 | ![]() ![]() ![]() ![]() |
| Searle 98 | Orpheus | 1853-54 | ![]() ![]() ![]() ![]() |
| Searle 99 | Prometheus | 1850 | ![]() ![]() ![]() ![]() |
| Searle 100 | Mazeppa | 1851 | ![]() ![]() ![]() ![]() |
| Searle 101 | Festklänge | 1853 | ![]() ![]() ![]() ![]() |
| Searle 102 | Héroïde Funèbre | 1848-50 | ![]() ![]() ![]() ![]() |
| Searle 103 | Hungaria | 1854 | ![]() ![]() ![]() ![]() |
| Searle 104 | Hamlet | 1858 | ![]() ![]() ![]() ![]() |
| Searle 105 | Hunnenschlacht | 1856-57 | ![]() ![]() ![]() ![]() |
| Searle 106 | Die Ideale | 1857 | ![]() ![]() ![]() ![]() |
| Searle 107 | From the Cradle to the Grave | 1881-82 | ![]() ![]() ![]() ![]() |
Other Orchestral Works
| Searle 108 | A Faust Symphony in three character pictures | 1854 | ![]() ![]() ![]() ![]() |
| Searle 109 | A Symphony to Dante's Divina Commedia | 1855-56 | ![]() ![]() ![]() ![]() |
| Searle 110 | Two Episodes from Lenau's Faust | ||
| 1. Der nächtliche Zug | 1860 | ![]() ![]() ![]() ![]() |
|
| 2. Der Tanz in der Dorfschänke (1st Mephisto Waltz) | 1860 | ![]() ![]() ![]() ![]() |
|
| Searle 111 | 2nd Mephisto Waltz | 1880-81 | ![]() ![]() ![]() ![]() |
| Searle 112 | Trois Odes Funèbres | 1860-66 | ![]() ![]() ![]() ![]() |
| Searle 113 | Salve Polonia | 1863 | ![]() ![]() ![]() ![]() |
| Searle 114 | Künstlerfestzug zur Schillerfeier | 1857 | ![]() ![]() ![]() ![]() |
| Searle 115 | Festmarsch zur Goethejubiläumsfeier | 1849 | ![]() ![]() ![]() ![]() |
| Searle 116 | Festmarsch nach Motiven von E.H.z.S.-C.-G. | 1859 | ![]() ![]() ![]() ![]() |
| Searle 117 | Rákóczy March | 1865 | ![]() ![]() ![]() ![]() |
| Searle 118 | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8 Juni 1867 | 1870 | ![]() ![]() ![]() ![]() |
| Searle 119 | Ungarischer Sturmmarsch | 1875 | ![]() ![]() ![]() ![]() |
5. Pianoforte and Orchestra
| Searle 120 | Grande Fantaisie Symphonique on themes from Berlioz' Lélio | 1834 | ![]() ![]() ![]() ![]() |
| Searle 121 | Malediction, with string orchestra | 1830-40 | ![]() ![]() ![]() ![]() |
| Searle 122 | Fantasia on themes from Beethoven's Ruins of Athens | 1848-52 | ![]() ![]() ![]() ![]() |
| Searle 123 | Fantasia on Hungarian Folk Themes | 1852 | ![]() ![]() ![]() ![]() |
| Searle 124 | Concerto No. 1 in E flat | 1830-55 | ![]() ![]() ![]() ![]() |
| Searle 125 | Concerto No. 2 in A major | 1839 | ![]() ![]() ![]() ![]() |
| Searle 126 | Totentanz. Paraphrase on the Dies Irae | 1849 | ![]() ![]() ![]() ![]() |
6. Chamber Music, etc.
| Searle 127 | Duo (Sonata), violin and piano | 1830er | ![]() ![]() ![]() ![]() |
| Searle 128 | Grand Duo Concertant sur la Romance de M. Lafont, "Le Marin" | 1835 | ![]() ![]() ![]() ![]() |
| Searle 129 | Epithalam zu E. Reményis Vermählungsfeier | 1872 | ![]() ![]() ![]() ![]() |
| Searle 130 | Elegy | 1874 | ![]() ![]() ![]() ![]() |
| Searle 131 | Second Elegy | 1877 | ![]() ![]() ![]() ![]() |
| Searle 132 | Romance Oubliée | 1880 | ![]() ![]() ![]() ![]() |
| Searle 133 | Die Wiege (The Cradle) | 1881 | ![]() ![]() ![]() ![]() |
| Searle 134 | La Lugubre Gondola | 1882 | ![]() ![]() ![]() ![]() |
| Searle 135 | Am Grabe Richard Wagners | 1883 | ![]() ![]() ![]() ![]() |
7. Pianoforte, Two Hands
Studies
| Searle 136 | Étude en 48 exercises dans tous les tons majeurs et mineurs | 1826 | ![]() ![]() ![]() ![]() |
| Searle 137 | 24 Grandes Études | 1838 | ![]() ![]() ![]() ![]() |
| Searle 138 | Mazeppa | 1840? | ![]() ![]() ![]() ![]() |
| Searle 139 | Études d'exécution transcendante | 1851 | ![]() ![]() ![]() ![]() |
| Searle 140 | Études d'exécution transcendante d'apres Paganini | 1838 | ![]() ![]() ![]() ![]() |
| Searle 141 | Grandes Études de Paganini | 1851 | ![]() ![]() ![]() ![]() |
| Searle 142 | Morceau de Salon, Étude de Perfectionnement | 1840 | ![]() ![]() ![]() ![]() |
| Searle 143 | Ab Irato. Étude de Perfectionnement de la Méthode des méthodes | 1852 | ![]() ![]() ![]() ![]() |
| Searle 144 | 3 Études de Concert | 1848 | ![]() ![]() ![]() ![]() |
| Searle 145 | 2 Concert Studies | 1862-63 | ![]() ![]() ![]() ![]() |
| Searle 146 | Technical Studies (12 books) | 1868-80 | ![]() ![]() ![]() ![]() |
Various Original Works
Works in Dance Form
Works on National Themes
Austrian
| Searle 233a | Tyrolean Melody | 1856? | ![]() ![]() ![]() ![]() |
Czech
| Searle 234 | Hussitenlied of the 15th century | 1840 | ![]() ![]() ![]() ![]() |
English
| Searle 235 | God Save the Queen | 1841 | ![]() ![]() ![]() ![]() |
French
| Searle 236 | Faribolo Pastout and Chanson du Béarn | 1844 | ![]() ![]() ![]() ![]() |
| Searle 237 | La Marsaillaise | vor 1872 | ![]() ![]() ![]() ![]() |
| Searle 238 | La cloche sonne | 1850 |




