| Dieter Acker |
Marginalien für Violoncello solo |
|
| Charles Adolphe Adam |
La Chatte Blanche |
|
| Charles Adolphe Adam |
Faust |
|
| Charles Adolphe Adam |
La Fille du Danube |
|
| Charles Adolphe Adam |
Les Mohicans |
|
| Charles Adolphe Adam |
L'Ecumeur de mer |
|
| Charles Adolphe Adam |
Die Hamadryaden |
|
| Charles Adolphe Adam |
The Marble Maiden |
|
| Charles Adolphe Adam |
Griseldis |
|
| Charles Adolphe Adam |
Orfa |
|
| Charles Adolphe Adam |
Lebenslauf |
|
| Alexander Ernst Fesca |
Allgemeine Informationen zur Person |
|
| Friedrich Ernst Fesca |
Ouverture à grande Orchestre |
op. 41 |
| Friedrich Ernst Fesca |
Ouverture à grande Orchestre |
op. 43 (posth.) |
| John Field |
Divertissement avec Quatuor Nr. 1 |
|
| John Field |
Divertissement avec Quatuor Nr. 2 |
|
| John Field |
Exercice modulé dans tous les tons majeurs et mineurs |
|
| John Field |
Exercice Nouveau |
|
| John Field |
Nouvel Exercice |
|
| John Field |
Exercise for double thirds |
|
| John Field |
Dances |
|
| John Field |
Six dances: G, A, A, F, Eb, Eb |
|
| John Field |
Quatre Dances: Eb, D, C, D |
|
| John Field |
Etüde As-Dur |
|
| John Field |
Etüde C-Dur |
|
| John Field |
Fantasie sur l'Andante de Martini |
op. 3 |
| John Field |
Nouvelle Fantasie sur le motif de la polonaise "Ah quel dommage" |
|
| John Field |
Nouvelle Fantaisie |
|
| John Field |
Pastoral A-Dur |
|
| John Field |
Pastoral E-Dur |
|
| John Field |
La Melanconia |
|
| John Field |
Levommi il mio pensiero |
|
| John Field |
Marche Triomphale |
|
| Nocturne |
Begriffserklärung |
|
| Notturno |
Begriffserklärung |
|
| John Field |
Nocturne Nr. 1 |
|
| John Field |
Nocturne Nr. 3 |
|
| John Field |
Nocturne Nr. 4 |
|
| John Field |
Nocturne Nr. 5 |
|
| John Field |
Nocturne Nr. 6 |
|
| John Field |
Nocturne Nr. 7 |
|
| John Field |
Nocturne Nr. 8 |
|
| John Field |
Nocturne Nr. 9 |
|
| John Field |
Nocturne Nr. 11 |
|
| John Field |
Nocturne Nr. 12 |
|
| John Field |
Nocturne Nr. 14 |
|
| John Field |
Nocturne Nr. 15 |
|
| John Field |
Nocturne Nr. 16 |
|
| John Field |
Nocturne Nr. 17 |
|
| John Field |
The two Favourite Dances in Blackbeard |
|
| John Field |
Signora Del Caro "5 Hornpipe" |
|
| John Field |
Rondo on the air "Logie of Buchan" |
|
| John Field |
Speed the Plough |
|
| John Field |
Introduction and rondo on Blewitt's Cavatina "Return, return" |
|
| John Field |
Rondeau avec Quatuor |
|
| John Field |
Grande Walse à Quatre Mains |
|
| John Field |
La Danse des Ours |
|
| John Field |
Trio As-Dur |
|
| John Field |
Fal la la |
|
| John Field |
Air avec variations |
|
| John Field |
Air du bon roi Henri IV Varié |
|
| John Field |
Kamarinskaya |
|
| Johann August Just |
Die Apotheke |
|
| Johann August Just |
De sympathie |
|
| Johann August Just |
Le Bon Prince et le petit page |
|
| Hippolyte Monpou |
Lambert Simnel |
op. posth. |
| Friedrich Schenker |
Foglio I |
|
| Thomas Täglichsbeck |
Klarinettenquintett B-Dur |
op. 44 |
| Thomas Täglichsbeck |
Symphonie à grande orchestre |
op. 10 |
| Franz Wilhelm Tausch |
Fünf Märsche und ein Choral für die Kaiserlich-Russische Garde |
|
| Franz Wilhelm Tausch |
13 Stücke für 2 Klarinetten, Horn und Fagott |
op. 22 |
| Heinz Tiessen |
Ave Maria zart |
|
| Heinz Tiessen |
Duo für Violine und Klavier |
op. 35 |
| Heinz Tiessen |
Musik für Viola mit Orgel |
op. 59 |
| Heinz Tiessen |
Passacaglia und Fuge |
op. 46 |
| Heinz Tiessen |
Totentanz-Suite |
op. 29 |
| Giuseppe Torelli |
Concertino per camera: Suite I |
op. 4 Nr. 1 |
| Giuseppe Torelli |
Concertino per camera: Suite III |
op. 4 Nr. 3 |
| Giuseppe Torelli |
Concertino per camera: Suite V |
op. 4 Nr. 5 |
| Giuseppe Torelli |
Concertino per camera: Suite VIII |
op. 4 Nr. 8 |
| Giuseppe Torelli |
Concertino per camera: Suite X |
op. 4 Nr. 10 |
| Giuseppe Torelli |
Concertino per camera: Suite XI |
op. 4 Nr. 11 |
| Charles Tournemire |
Sagesse |
op. 34 |
| Charles Tournemire |
Poème |
op. 38 |
| Donald Francis Tovey |
Sonate für Violoncello solo |
op. 30 |
| Donald Francis Tovey |
Elegiac-Variationen |
op. 25 |
